KEYWORDS
- perception, vision
- cosmos, earthly motion
- light, sun, life, death
- transformation, deconstruction
- wonder
- environment, land, landscape
- apparatus
- infinity, looping
- rocks / geological time
Title: Distance of a Thing
Images from Mars Perseverance Rover laser etched onto polished slabs of anthracite coal.
Sculptural components are very heavily sandblasted Arts/Crafts furniture pieces (this based on ventifacts - rocks with faceted faces due to eons of wearing away by wind/sand)so much of the structure of the chairs/tables/etc are worn away.
Ventifact = "wind made"
Resonator Stack
This work is actually the result of your resonance bowls performance/experience at my old studio!
This is just the test phase, using one ceiling fan motor and a single helmholtz resonator, but eventually the intention is to make a tall stack of motors and wheels of different size resonators, ideally inside a good space (I'm thinking the large gallery of the CAG sort of space.
Multiple motors and resonators would turn on/off in sequence, tuned for the space to create a changing resonant soundscape.
This idea came at a residency a long time ago, I can't believe I haven't made it happen yet. But gathering my materials! I have been collecting vintage/antique light bulbs in a range of sizes from Ebay. Flask stand will be attached to an equatorial mount, with sensitized platinum/palladium photo-paper, or?? Need longish (1-3 minutes) exposure time in direct sun. When filled partially with water the bulbs will burn through the paper while making an image of the shadow of the bulb on same.
Title: Ballast
"The electric light is pure information" McLuhan
Ie: is without content which might distract from the medium itself
These objects would be much the opposite, ballast to the weightlessness of pure information, imperceptibly sinking into the floor. But what exactly is the content? Solid aluminum casts from vintage 1000W bulb.
The matchbook is for scale.
"Flatlander"
Antique english oak table reconfigured into this stand, sandblasted to get some great texture, re-wired all the electronics inside nicely (and so no one would get electrocuted).
Based loosely on apparatus of Edison's lightbulb experiments, and also 4th dimension visions of Johan Van Manen, dutch orientalist/theosopher.
Curators options -
If we want other than us --
- Sophia Kidd
- Magdelena at Corkin? (When the sun departs for a new horizon)
- Carol Podedworny, Director & Chief Curator, McMaster Museum of Art
ROCKS / LAND / TIME
- Scott: "Distance of a Thing" (anthracite/photo work); "Beacon"
-Annie: Sunstone project; "Landscape, Cutout";
- Lucida Lab "language of rocks" / "Thaumatology"?
- Erin Siddall + Tsema Rockmother momenta work
- Karen Z texture silks?
- Fei (if we need more wall work)
- Francois Quevillon - do studio visit
- Malcolm Pate?
- Letha Wilson?
- Annie Charland Thibodeau "Ce que nous edifions"? (high budget for transport)
show ideas / existing work for museum pitches
LIGHT / COSMOS / PERCEPTION
- Scott "Ballast", "Flatlander" (edison lightbulbs work/oak table piece), "Via Lactea", "Sun was born..."
- Annie "Staring at the Sun"; "Glow of One Hundred Moons", "Sun Simulations"
- James Nizam?
- check list of light-based artists in archive
AI text
Title: "Layers of Earth: A Conceptual Exploration of Landscape and Geology"
Introduction:
The exhibition "Layers of Earth" is a conceptual photographic exploration that delves into the intricate relationship between landscapes and geology. Through a series of thought-provoking and visually captivating images, this exhibition seeks to showcase the profound connection between the Earth's geological processes and the diverse landscapes they give rise to. The photographs aim to engage viewers in a deeper understanding of the dynamic forces that shape our planet and evoke a sense of wonder and appreciation for the natural world.
Conceptual Framework:
The project is grounded in the idea that landscapes are living testaments to the geological history of the Earth. It explores how geological processes such as erosion, sedimentation, volcanism, and tectonic movements leave their marks on the surface of the Earth, creating unique and captivating landscapes. The photographs aim to capture the essence of time and change, presenting viewers with glimpses of ancient geological formations coexisting with modern landscapes.
Artistic Approach:
The photographic series will employ a combination of artistic techniques to create visually arresting images. Long-exposure photography will be used to emphasize the gradual movements of geology, such as shifting tectonic plates or the erosion of rocks over millennia. Black and white photography will be utilized to strip away distractions, allowing viewers to focus solely on the interplay between light, shadows, and the geological features of the landscapes. Additionally, aerial photography will offer a unique perspective, showcasing the vastness and interconnectedness of geological formations across different landscapes.
Themes:
Geological Time: This theme will explore the concept of deep geological time, juxtaposing ancient geological formations with contemporary landscapes to emphasize the enduring nature of Earth's processes.
Erosion and Transformation: Focus will be on showcasing the dramatic effects of erosion and how it molds and sculpts landscapes over time, leaving behind striking geological features.
Tectonics in Motion: This theme will capture the power of tectonic movements, illustrating how they shape landscapes through the creation of mountains, valleys, and fault lines.
Volcanic Landscapes: The project will highlight the beauty and complexity of volcanic landscapes, showcasing the interplay between destruction and creation.
Interconnectedness: This theme will emphasize the interconnectedness of geology and landscapes across different regions and continents, showcasing similarities and contrasts in the Earth's geological history.
Exhibition Format:
The exhibition will be presented in a gallery space designed to immerse visitors in the themes and concepts explored. The arrangement of photographs will be curated to take the viewers on a visual journey through time and across various landscapes. Captions and descriptions will accompany the images to provide geological context and enhance the understanding of the exhibited works.
Educational Outreach:
To complement the exhibition, educational programs and workshops will be organized, inviting geologists, environmental scientists, and photographers to share their expertise and insights. These sessions will further enrich visitors' understanding of the geological processes and the significance of preserving our landscapes for future generations.
Conclusion:
"Layers of Earth" will serve as a unique and thought-provoking platform that brings together the fields of art and science, encouraging audiences to contemplate the magnificence of our planet's geological history. By fostering an emotional connection to the landscapes and geological processes, the exhibition aims to inspire a greater sense of responsibility for the conservation and appreciation of our natural world.
(Note: The above proposal is a fictional example to demonstrate how an exhibition proposal for conceptual photographic work about landscape and geology might be structured. Feel free to modify and expand upon the ideas according to your specific project.)
little printout?
card, trifold, or full PDF